The circulation of the Guggenheim is too forced and singular. Although appearing continuous, there is actually a lack of continuity between the players inside the museum. The players are the objects, viewers, artist, the space, etc. So because of different agendas, conflict of interests, and conflict of interpretations, there is a lack of continuity. The intention is to nest different constraints within the armature to reveal potentials. And the combination of these different added formal constraints will give more agency to the viewers. This approach allows visitors to form their narratives, explore the diversity of the collection, and correct or nuance their perceptions. Engaging visitors in a playful way and allowing them to make choices based on personal interest and curiosity. By orchestrating these multiplicities we can change the experience of the Guggenheim from the bidirectional vector to a journey that is more multifaceted.