This workshop will be pursued through a hybrid of theory and practice.
In WEEK 1: MATERIALS KNOWLEDGE, students will investigate and present a range of materials, techniques, and recipes, so to speak. They will engage in 3D printable models within the Rhino and Grasshopper environment and generate sapiently designed printing paths in form of gcodes (i.e., a set of commands that control the 3D printing machines), while also gaining experience on how to develop an extrudable paste with the help of material designer experts. During the afternoons, the students will start their design study by collecting precedents on communal spaces and spaces to rest in different cultures around the world.
In WEEK 2: FABRICATION SOCIALIZATIONS, students will focus on the acts of togetherness in making one collective large-scale architectural installation, selected among the different design proposals developed by the students. The fabrication phase will take place on site to assess the feasibility of the technology in real world conditions. The workshop will conclude with a community celebration, providing an opportunity to engage with and within the final installation and to reflect on the learning process. A final presentation will allow students to present and share their experiences with other members of the community and discuss future applications of low-tech technologies in futuristic craft and design. This gathering will foster dialogues between students, faculty, community members, and participants, reinforcing the importance of collective creations within domesticity of materials.
The outputs and findings of the workshop will include several aspects. Within the “successful” integration of digital design, material experimentation, and hands-on fabrication, this workshop will yield in demonstrating scalability of ubiquitous agrowaste and construction soil residues and their potential within the sustainable building industry. Nonetheless, inspired by the concept of communal and resting space, additional intangible outputs will include notions of engagement with materials in an intimate connection through design-build processes, and real-scale articulations that remain largely unexplored.
While computational tools enable intricate design possibilities, fabrication processes require further messy opportunities for simplifications to accommodate material constraints and printing inaccuracies. This fabrication study will provide insights into the variability of 3D-printing itself, and of earth-based materials and mixtures, in ways disseminated through publications for scientific journals, for instance, by recording drying times, structural performances, and environmental exposures.
The collaboration between students from different backgrounds and cultural experiences to foster deep realizations of constructibility of materials is hereby manifested by the potential agency of digital fabrication and machines.
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MONSOON COMMONS in BENGALURU
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Bengaluru
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Jul 21 – Aug 8, 2025
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Archiving as Exercise
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Portland, Oregon
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Aug 2 – Aug 8, 2025
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Flashing Arcs and Crater-Clouds: Revisiting Volcanology in Southern Italy
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Southern Italy
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Jul 1 – Jul 10, 2025
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ROMA 2025: Infrastructures and Interruptions in the Year of the Jubilee
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Rome
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Jun 20 – Jun 28, 2025
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Exploring Metal Casting and Collaborative Experimental Preservation
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Birmingham, AL
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Jun 2 – Jun 13, 2025
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