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The Commissioner’s Plan of 1811 for Manhattan established a continuous grid as a diagram of order, designed to accommodate the city’s projected growth through a system prioritizing efficiency, regularity, and subdivision. In doing so, it suppressed pre-existing topographies and local conditions, producing a field of ostensibly uniform, equally dimensioned blocks. This abstract framework has since served as the underlying substrate for the development of New York City.
This workshop takes the Manhattan block as a fundamental yet highly contested unit of spatial analysis, situated at the intersection of architecture, urban design, and urban theory. Inscribed within the grid, the block has historically operated as a neutral and repeatable framework for development, even as it is continuously altered—aggregated, subdivided, perforated, or overlaid by infrastructure.
However, the apparent uniformity of the grid has enabled an extreme juxtaposition of programs, events, and spatial conditions, transforming each block into a site of intense heterogeneity rather than repetition.
Against this background, the workshop asks how the Manhattan block can be re-theorized not as a fixed morphological entity, but as a contingent spatial construct shaped by temporal variation, cultural practices, and patterns of occupation. What forms of intermittence—daily, weekly, or seasonal—destabilize the apparent stability of the grid?
How do architectural form, urban morphology, and lived experience intersect within the bounded yet permeable and flexible limits of a single block? By focusing on this minimal unit, the workshop isolates the tension between formal regularity and spatial complexity, allowing for a precise examination of how space is continuously produced, negotiated, and reconfigured by those who occupy it.
Students will approach the block not as a stable artifact, but as a site of overlapping spatial narratives. Through this lens, the block becomes both an object of analysis and a methodological device for understanding how space is constructed through observation, representation, and interpretation.
Methodology and Process
The workshop is structured over two weeks and organized into two phases: fieldwork across New York City, and in-studio work at GSAPP/Avery Hall. Each student operates under a dual constraint—one text and one selected Manhattan block. The text, chosen in advance from a curated list, establishes a conceptual lens that guides observation and defines a specific approach to the site to be selected. Blocks will be chosen based on shared criteria, ensuring diversity across the group while avoiding overlap.
During the first week, we will go on guided site visits to engage directly with the selected blocks and meet with local practitioners. Students will produce their own recordings and documentation of spatial conditions through photography, film, interviews, sketches, and note-taking, developing a focused line of inquiry shaped by their chosen lens. Week 2, held at GSAPP, will consist mostly of one-on-one and group reviews that will support the refinement of observations into a coherent analytical and graphic production.
Output and Findings
The workshop culminates in a collective atlas composed of a set of distinct blocks, presented as a proxy of Manhattan’s urban and architectural morphology. Each student produces one visual medium and one short text, following a shared format that establishes a coherent structure across the work while allowing each project to articulate a specific mode of reading and constructing space.
Together, the atlas assembles a multi-layered understanding of the block as a spatial unit, foregrounding its inherent heterogeneity and the temporal and sensorial variations that shape it. Rather than presenting the block as a fixed object, the work aims to demonstrate how space emerges through overlapping narratives and practices that extend beyond its physical boundaries into broader networks of activity and perception.
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Transforming & Reinventing NYC Neighborhoods |
Across New York City |
Jun 15 – Jun 26, 2026
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Under Pressure: High Tech, Low Tech, No Tech |
Across New York City |
Jun 1 – Jun 15, 2026
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Exploring Metal Casting and Collaborative Experimental Preservation |
Across New York City |
May 25 – Jun 5, 2026
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