A

AIA CES Credits

AV Office

Abstract Publication

Academic Affairs

Academic Calendar, Columbia University

Academic Calendar, GSAPP

Admissions Office

Advanced Standing Waiver Form

Alumni Board

Alumni Office

Architecture Studio Lottery

Assistantships

Avery Library

Avery Review

Avery Shorts

S

STEM Designation

Satisfactory Academic Progress

Scholarships

Skill Trails

Student Affairs

Student Awards

Student Conduct

Student Council (All Programs)

Student Financial Services

Student Health Services at Columbia

Student Organization Handbook

Student Organizations

Student Services Center

Student Services Online (SSOL)

Student Work Online

Studio Culture Policy

Studio Procedures

Summer Workshops

Support GSAPP

Close
This website uses cookies as well as similar tools and technologies to understand visitors' experiences. By continuing to use this website, you consent to Columbia University's usage of cookies and similar technologies, in accordance with the Columbia University Website Cookie Notice Group 6

Pious Technologies and Secular Designs

Fri, Oct 13, 2017    1pm

Pious Technologies and Secular Designs

For over a decade, scholars in sociology, anthropology, and religious studies have been engaged in a heated debate about the role of religion in modern politics and society, a discussion formerly absent from most canonical accounts of modernization and globalization. To better understand the secular, one must also understand the ways in which the religious has been historically transformed and dislocated.

One powerful mode of analyzing the interactions of the secular and the religious is through the lens of the material world; historians have long recognized the ways in which physical spaces, technical objects, and bodily rituals both constructed—and were constructed by—religious systems. They have paid less attention, however, to the ways in which these same forms of cultural production were implicated in both the undoing and the resilience of religious projects, from cultural frameworks and imaginaries to biopolitical and ethical orders.

This conference seeks to remedy these gaps by gathering together historians of modern architecture, media, and technology whose work explores the ways in which religion has operated in the design of the spaces, machines and bodies associated with modernization. Presenting a series of case studies invites historians of modernity to better see the gods in the buildings, spaces, cities, technologies, machines and bodies where religion had apparently ceased to operate.

Speakers

Lucia Allais, Assistant Professor, Princeton University
Irene Cheng, Assistant Professor, California College of the Arts
Peter Collopy, Archivist, Caltech Archives
Brian Larkin, Professor and Director of Graduate Studies, Barnard College
Kathryn Lofton, Professor and Chair, Religious Studies, Yale University
Kendrick Oliver, Professor, University of Southhampton
Nasser Rabbat, Professor and Director, Aga Khan Program for Islamic Architecture, MIT
Richard Wittman, Associate Professor, UC Santa Barbara

Organized by Maria Gonzalez Pendas and Whitney Laemmli

Free and open to the public.
Co-Presented by Society of Fellows in the Humanities; Columbia GSAPP; Institute for Religion, Culture, and Public Life; and The Temple Hoyne Buell Center for the Study of American Architecture.