The project is grounded in two temporally (and sensorially) distinct readings of the Art Barge located in Napeague Harbour; understood as a shifting field rather than a fixed landscape. A winter visit revealed an environment defined by exposure and abstraction—horizon, salt, sand, snow, and water collapsing into a continuous visual register—while a subsequent visit disclosed the underlying marsh ecology alongside the artificial logics of dredging and historic canalisation. These encounters positioned the site as both natural and constructed, prompting an architectural response that places direct confrontation with environmental conditions over enclosure or mediation. Informed by archival research into Victor D’Amico’s pedagogical ethos, the project reconsiders architecture as a framework for perceptual engagement and creative inhabitation. Program is dispersed across the site as a sequence of discrete yet interrelated clusters—sleeping, cooking, gathering, and making—organized through a processional logic aligned with daily and seasonal rhythms. An asymmetric 10'×10’ structural module operates as an unifying system, producing a distributed assemblage that negotiates repetition, variation, and site contingency.
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