Fall 2017 Advanced III HP & UP Joint Studio; Critics: Erica Avrami, William Raynolds
Founded in 1964 as the first Masters Program in Historic Preservation in the United States, the program embodies a pioneering spirit by continually questioning how the discipline actively responds to the changing social values and climate challenges associated with architectural and cultural heritage, so as to ensure that the historic built environment better serves present and future generations.
The program prepares its graduates in the theoretical and practical foundations of preservation so they can be agents of positive environmental, cultural, and social change. Students are drawn from multi-disciplinary backgrounds such as architecture, art history, history, urban planning, engineering, science, art, urban design, archeology, anthropology, sociology, philosophy and jurisprudence. Students bring to bear their respective interests on preservation. By focusing on historical, aesthetic, technological, environmental, social and political questions, the program cultivates deep engagement with the ideas and practices that constitute preservation, and the broad multi-disciplinary skill sets that it draws upon.
The program reflects a global outlook in its diverse faculty, alumni, visiting scholars, advanced researchers, as well as in the locales where students work. It emphasizes real-world engagement with buildings, sites and communities near campus and beyond. Through study and engaged research in New York and New Jersey, as well as countries such as Italy, Cuba, Ethiopia, France, Haiti, Mexico, Norway, and the United Kingdom students apply skills in the real world and co-create knowledge with multiple publics. Learning beyond the lab and classroom is likewise enhanced through faculty-led publications, studio reports, research, public lectures and events such as the annual Fitch Colloquium.
Jump to the sections below to learn more about the MSHP program:
The centerpiece of the curriculum is a three-semester studio sequence, supported by core coursework. These interdisciplinary and cross-cultural learning experiences encompass skill-building in historical, social, and technical research, data collection and visualization, community and stakeholder engagement, formal and material analyses, condition surveys, planning and policy development, interpretive and adaptive design, and the formulation of evidence-based proposals for action. Exploring questions of research and interpretation, cultural identity and values, justice and equity, sustainability and resilience, creative expression and process, these studios position the work in the field within broader societal and environmental contexts, and within broader realms of critical inquiry.
During the summer between the first and second year, the Historic Preservation Program strongly suggests the completion of one or more internships or work experiences as part of a student’s education and career development, and provides support in identifying opportunities in New York and elsewhere.
A capstone of the curriculum is a student thesis. As a critical piece of independent research, the thesis allows students to augment their course and fieldwork to further develop specialized knowledge in an aspect of the preservation enterprise. Students develop their thesis work with the support of faculty to forge new lines of inquiry and practice, as well as to engage with members of the discipline as they launch their careers.
For those students who would like to like to specialize further or expand their studies, GSAPP offers dual degrees, allowing Historic Preservation students to jointly study Architecture (MArch), Urban Planning, or Real Estate Development.
Course | Semester | Title | Student Work | Instructor | Syllabus | Requirements & Sequence | Location & Time | Session & Points | Call No. |
---|---|---|---|---|---|---|---|---|---|
A4080‑1 | Spring 2025 |
HP Elective Internship
|
Sarahgrace Godwin |
FULL SEMESTER
1.5 Points
|
10930 | ||||
A4334‑1 | Spring 2025 |
Modern American Architecture
|
Jonah Rowen |
200 BUELL NORTH
M 9AM-11AM
|
FULL SEMESTER
3 Points
|
11397 | |||
A4839‑1 | Spring 2025 |
Building Conditions Assessment
|
Kyle Normandin | Syllabus |
Preservation Technology LAB - 655 SCHERMERHORN
M 2-5PM
|
SES A
1.5 Points
|
11398 | ||
A6750‑1 | Spring 2025 |
HP Studio II
|
Erica Avrami, Kennedy Whiters |
301 FAYERWEATHER
TU + TH 2-6PM
|
FULL SEMESTER
6 Points
|
10937 | |||
A6753‑1 | Spring 2025 |
Thesis II
|
Sarahgrace Godwin |
FULL SEMESTER
4 Points
|
10938 | ||||
A6856‑1 | Spring 2025 |
Masterclass
|
Krzysztof Wodiczko | Syllabus |
655 Schermerhorn
M 11 AM - 1 PM
|
FULL SEMESTER (1/27/25 - 5/5/25)
3 Points
|
11400 | ||
A6935 | Spring 2025 |
Master Class A
|
Preservation Technology LAB - 655 SCHERMERHORN
TH 11AM-1PM
|
FULL SEMESTER
3 Points
|
11400 | ||||
A6936‑1 | Spring 2025 |
Old Buildings, New Energy: History and Current Sustainable Practices
|
Francoise Bollack | Syllabus |
505 AVERY
W 11AM-1PM
|
SES A
1.5 Points
|
13082 | ||
A4124‑1 | Spring 2025 |
Modern Building Technology
|
Theodore Prudon |
Preservation Technology LAB - 655 SCHERMERHORN
F 9-11AM
|
FULL SEMESTER
3 Points
|
10931 | |||
A6688‑1 | Spring 2025 |
Making Invisible History Visible: Preserving Sites of Cultural Significance
|
Andrew Dolkart | Syllabus |
300 BUELL NORTH
TH 11AM-1PM
|
FULL SEMESTER
3 Points
|
10934 | ||
A6702‑1 | Spring 2025 |
Investigative Techniques
|
Amanda Thomas Trienens | Syllabus |
Preservation Technology LAB - 655 SCHERMERHORN
W 1-3:30PM
|
FULL SEMESTER
3 Points
|
10935 | ||
A6705‑1 | Spring 2025 |
Architecture & Development of NYC
|
Andrew Dolkart | Syllabus |
200 BUELL
TU 9:00-11:00 AM
|
FULL SEMESTER
3 Points
|
10936 | ||
A6788‑1 | Spring 2025 |
Conservation of Concrete, Cast Stone & Mortar
|
Norman Weiss, Heather Hartshorn | Syllabus |
Preservation Technology LAB - 655 SCHERMERHORN
M 2-5 PM
|
SES B
1.5 Points
|
11399 | ||
A6414‑1 | Spring 2025 |
Digital Heritage Documentation
|
Bilge Kose | Syllabus |
Preservation Technology LAB - 655 SCHERMERHORN
W 5-7PM
|
FULL SEMESTER
3 Points
|
10932 | ||
A4890‑1 | Spring 2025 |
Conflict Urbanism
|
Laura Kurgan |
300 BUELL SOUTH
W 9 AM - 11 AM
|
FULL SEMESTER
3 Points
|
11365 | |||
A6961‑17 | Spring 2025 |
Data Mourning Clinic
|
Marina Otero Verzier, Daniel Miller | Syllabus | ALL GSAPP |
Avery 700
TH 1:30-4:30 PM
|
FULL SEMESTER
3 Points
|
13287 | |
A6963‑15 | Spring 2025 |
ADV VI STUDIO - CLINIC
|
Alonso L. Ortega, Anthony Clarke | ALL GSAPP |
Avery 409 / Avery 700
TH 1:30-5:30 PM
|
FULL SEMESTER ( 6 seminar sessions: January 23 + 30, February 20 + 27, April 17 + 24)
3 Points
|
13286 | ||
4323‑1 | Spring 2025 |
Topographic Modernism
|
Lucia Allais |
300 BUELL NORTH
TU 11AM-1PM
|
FULL SEMESTER
3 Points
|
11407 | |||
A4861‑1 | Spring 2025 |
Footprint: Carbon and Design
|
David Benjamin | TECH ELECTIVE |
409 AVERY
TH 11AM-1PM
|
FULL SEMESTER
3 Points
|
13288 | ||
A4063‑1 | Spring 2025 |
Spatial Data Narratives
|
Josh Begley |
300 BUELL SOUTH
W 7-9PM
|
FULL SEMESTER
3 Points
|
11381 | |||
A4312 | Spring 2025 |
Storytelling through Design
|
Hilary Sample | ALL GSAPP + SCHOOL ARTS |
300 BUELL SOUTH
TH 9 AM - 11 AM
|
FULL SEMESTER
3 PTS Points
|
11412 | ||
A4407‑1 | Spring 2025 |
Methods in Spatial Research
|
Adam Vosburgh | Syllabus |
300 BUELL SOUTH
F 9 AM - 11 AM
|
SES A
1.5 PTS Points
|
11383 | ||
PLA6036‑1 | Spring 2025 |
Urban Political Ecology and the Climate Crisis
|
Hugo Sarmiento |
204 FAYERWEATHER
M 3PM-5PM
|
FULL SEMESTER
3 Points
|
13331 | |||
Pla6831 | Spring 2025 |
Joint MSRED/MSUP Studio
|
Adam Lubinsky | Syllabus | ALL GSAPP |
412 AVERY
W 3:30-5:30 PM
|
FULL SEMESTER
3 Points
|
10974 | |
6423‑1 | Spring 2025 |
ENERGY, FEMINISM AND THE BUILT ENVIRONMENT
|
Alexandra Quantrill |
409 AVERY
TU 9-11 AM
|
FULL SEMESTER
3 Points
|
16523 | |||
A4325‑1 | Spring 2025 |
Multi Graphics & Representation
|
Wael Morcos |
505 Avery
F 10AM -12PM
|
FULL SEMESTER
3 Points
|
11409 |